7 of my Favorite Foreign-Language Gaming Channels

 

As the Polyglot Conference looms ever-nearer, and my trip to Greenland even nearer than that (one month from today, actually!), it occurs to me that I had to thin my outline in order to make room for what is likely to be many, MANY questions from the audience

To that end, one thing I’d really like to write about is what sort of channels devoted to playing various games (and beyond) have provided me with significant entertainment.

Keep in mind that (1) these are based on the sample size of languages that I have had deep experience with (2) as a general rule, these tend to come from the developed world and (3) any channel that I am subscribed to is, in my opinion, 100% created by winners!

I’m not rating these based on how much these channels have helped me learn languages, I just want to express that (otherwise I would have to rate them completely differently under that metric).

You can for a list, and here it is!

 

  1. Streview (Israel)

Primarily focused on reviewing video games in Hebrew, this channel also serves to highly Israeli gaming culture as a whole (something that, for obvious reasons like being stuck in class during a lot of the day, I never got to experience in detail).

What’s more, Streview also shows a colloquial Hebrew that they don’t teach you in the Ulpan, one with enough English words to make your Hebrew school teachers cringe.

If you’re anywhere in the Gimel/Dalet level in the Ulpan or above (B1/B2), I highly recommend you get to experience this channel:

 

  1. Sami Hartikainen (Finland)

 

While Sami does tend to do some series on major commercial games, like Sonic Mania and Super Mario Maker, Sami also brings a significant amount of unpredictable Indie Games into the mix which makes his channel super-fun for me to turn to time and again.

His videos really helped me hone my Finnish-language accent as well as get regular exposure to the language’s more casual registers in a way that other sources, even TV and music, weren’t really doing.

Sami’s voice is also very theatrical as well but not overdramatic:

 

  1. TheGerald39 (Poland)

For some odd reason his voice sounds like that of a radio announcer coupled with that of a storyteller. Also, one thing you can use “Let’s Play” ‘s for is simultaneous translations (e.g. because a lot of games are localized in the world in English, especially outside of select Western European countries or the Americas or East Asia, a lot of people ad-lib translate all dialogue into their native language. It actually really helps to train you to think in your target language and it is supremely helpful).

The Gerald literally does this better than ANYONE I’ve ever seen, in ANY language. Even if you don’t speak a word of Polish or any other Slavic language, have yourself a listen:

 

  1. Lasse Vestegaard (Denmark)

Great production values, a great voice and a fantastic array of games and other side-video projects make this channel one of my favorites for Danish practice whenever I need it.

What’s more, the fact that he uses a lot of browser games in his Let’s Play videos is very refreshing (and I’ve discovered A LOT of very interesting programs because of him!)

Here’s an extremely interesting video in which Lasse tries his hand at an Airport Control Tower simulation. Does he have what it takes to become an air traffic controller in real life? Have a watch!

 

  1. Matboksen – Tommy & Marthe (Norway)

This channel has a very homegrown and genuine quality to it that other channels are significantly lacking. The Norwegian used on the channel is suitable for learners of all types and I’ve found many of the videos on this channel helpful for rehearsing my Norwegian regularly when I’m not up to watching heavy-duty TV or reading complicated articles.

What’s more, Tommy and Marthe tend to ad-lib translate the dialogues from the many games they play (esp. from the Zelda series) with just the right amount of personality.

Surprisingly I remember their ad-libbed Norwegian voice-overs more vividly than any actual dialogue from the games themselves!

  1. Domtendo (Germany)

The owner of a voice you never truly forget, Domtendo has proven to be such a success in the German-speaking world that he also expanded to narrating video game news. As you could guess, his channel does focus a lot more on Nintendo games and virtually every game I’ve seen him play has been localized into German as well.

My prediction is that Domtendo will hit 1 million subscribers in 2018, and for good reason: a lot of genuine reflection coupled with moments of “rage” and usage of the German language in its colloquial form as genuinely as it comes. Extremely helpful to many learners of German and highly recommended:

(Watch the final scene of this video for something extremely Schadenfreude-worthy):

 

Honorable Mentions:

 

Mustachtic (Sweden)

I don’t really know what makes this channel so interesting for me at all, to be honest. I just know that I really like it.

 

Yn Chwarae (Welsh)

Donkey Kong Country in Welsh. Because why not.

 

Senkou Jimmy (Hungary)

 

The most smile-causing voice acting I’ve ever seen in Let’s Play videos, period.

 

 

And now the #1 slot goes to…

 

  1. ZetaSSJ (Chile)

 

While not particularly helpful from a language-learning standpoint, ZetaSSJ’s channel is my overall favorite gaming channel as of the time of writing.

He does focus a lot on Super Mario Maker, but he’s probably the best player of any Mario game I have EVER seen. And watching him play through levels on Super Expert (which, for those unaware, are collections of levels that have been failed nearly 99% of the time) provides more tension than the scariest horror films.

He also includes a lot of pop-culture phenomena in his videos, including editing soundbites from well-known internet memes onto the gameplay videos (Including the Titanic recorder piece and “Surprise, Motherfucker!” with significant regularity).

Watch this now. Even if you know absolutely nothing about Mario at all, or don’t speak Spanish or a related language, you won’t regret it in the slightest:

 

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”How Do You Know So Much About Everything?”, or How to Build an Encyclopedic Memory

 

Too often throughout my life have people tried to convince me that somehow my mind was “special” and that I was “gifted”.

Later on in life, it occurred to me that the only thing that really made me different was the fact that I “tripped” on some successful formulae on how to memorize things and that I applied them with consistency.

If you’ve had a conversation with me in real life, you’ll definitely know that I am an experience collector that draws in a lot of different histories and cultural experiences from throughout the globe and draws them together in ways that are inspiring at best, intimidating at worst.

Today I decided that I’m going to let loose some of my secret as to how I developed the memory and how you can develop an encyclopedic knowledge of anything of your choice!

You already have an encyclopedic knowledge of SOMETHING

That’s one important thing to keep in mind. Even if it is very simple details about your life, your family or your work sphere, there is something that you know very well in detail.

How exactly did you remember it? I’ll give you some clues.

For one, you associated the various facts and faces and stimuli used for recognition with multiple elements. Some of them were:

  • Feelings
  • Incidents associated with certain feelings (e.g. funny stories, awkward stories)
  • Places (we’ll get to the memory palace in a bit, which is probably the world’s most tested-and-true memory technique)
  • Your senses (you may associate smells or sounds or melodies with them)

Another thing you also did in order to remember these details about your life is the fact that your brain has been convinced (and rightly so) that learning these details is actually essential to your survival. (If you can trick your brain that learning something is essential to your survival, your brain is going to learn it whether you like it or not. Humans are the most successful species this planet has ever seen and your brain is, by extension, served as the key to that success. Trust it).

In places like Germany and Myanmar where I could not always rely on people speaking English or other languages I knew, my brain kicked into second-gear when I needed to learn phrases of the local language, especially ones that would be useful in emergency situations. Even in places like Sweden and Iceland knowledge of the local language could be a survival advantage and …

(I was writing this in Grand Central Station and a fire alarm went off. Despite the fact that the announcement was in English I literally couldn’t understand a single word. Serves to show you that sometimes even “your language” can be completely unintelligible to you and you don’t give it a second thought or become insecure about it!)

Where was I?

Oh, yeah…

I was having a conversation about multilingualism at (one of) my rabbi’s classes last night. Interestingly I said that a lot of people memorize other things with great success (e.g. names of sports teams and what years they won, names of Pokémon, video games, video game levels, TV shows, episodes and seasons, books you’ve read, names of your teachers throughout your life, etc.) One reason for that is that they associate it with places, feelings and stimuli.

Take the example of sports games. I’ve lived with a lot of students from Spain when I was in Poland (to whom I owe the fact that I talk Spanish like an Iberian). They went to sports bars very frequently and no doubt they associate each game with a different place and a different set of emotions, not also to mention the sort of things that their friends or other company said or did during the game or afterwards. In so doing, they have an advantage in memorizing a “timeline” in their head given that they associate each incident with stimuli that serve to enforce the memory.

Or take video games. I can literally draw of map of the Kanto Region (from the original Pokémon games) from memory. I can tell you where in Kanto to find any of the individual species in the Red Version (I started with a Bulbasaur, for those curious). I can even hum the music from any of the routes or the cities (although this is probably due to my musical memory in general, which is something I may write about another time). What’s more, I KNOW I am not the only person who can do that.

I associated each place not only with the melody but also the type of Pokémon that were found there, in addition to places in real life where I was when I beat certain gym leaders in the game. (I beat Brock in Hamden, Connecticut outside of a place called Wentworth’s Ice Cream store, for example).

Now how exactly can you apply this to ACADEMIC knowledge?

For one, since I was very young, I associate particular places with other stimuli (they were usually visual or musical). I also associate places with individual customs or landmarks. Flags, obviously, became a big help as well.

This was something that I may have picked up later in in my childhood from edutainment games. Take, for example, the 1990’s versions of “Where in the World in Carmen Sandiego?” (I’ll have you know that they depicted some places I’ve been to in real life, including Yafo in Israel, Gamla Stan in Stockholm, and the Old Town in Heidelberg with not a hint of inaccuracy in the SLIGHTEST. Okay, they probably copied the details from panoramic photos, but whatever). In the games, you not only associate the places with hints that the characters give to you but also the landscapes and the musical pieces that echo the “mood” of whatever place you’re in. (Yafo is going to be very different from San Francisco, and Mount Kilimanjaro is going to be very different from either of those).

The places no longer became lists of places I’ve never heard of, they became places of living people, real places and a culture that I tasted, to whatever small a degree, with the game’s soundtrack (I would say that Israel, Iran, Iceland, Zaire (as it was called then), France and Germany probably have the most memorable musical pieces in that game).

Or let’s take verb conjugations, for example.

For Finnish, I associated them with particular sentences that I heard in songs and spoken by characters in dubs of animated movies or cartoons. In so doing, the grammatical “pains” of Finnish (such as conjugations of verbs, conjugations of the “no” verb [in Finnish, “no” is a verb and you have to conjugate it and pair it with the stem of another verb afterwards], or the relative pronouns [don’t get me started on these!]) weren’t so painful anymore.

In Hungarian, I’m doing something slightly different, in which I’m associating them with sentences from my Anki deck, all of which seem to tell a story by themselves (okay, let’s open up the deck right now and see what I get. Okay…the sentence is … “apám jól van, mint mindig” [Father is well, as usual]. Doesn’t that sentence tell a story by itself? Doesn’t it cause some emotion of sorts to stir up in your heart? When you hear the sentence, you may associate it with a particular “taste” captured in the sentence. Remember that.) No doubt I’m going to head onto what I did with Finnish-dubbed cartoons as well, probably later on down the line…

Here’s probably another point you need to take away: just reading stuff off a page over and over again is NOT LIKELY TO WORK. You have to pay attention to how each element you’re supposed to be memorizing makes you feel.

What words in it resemble things or words in other languages you already know? What sort of story is the word telling? (In many Germanic languages [Yiddish, German, mainland Scandinavian] you “over-set” something to translate it, but in Finnish and Tok Pisin you “turn” it).

Are you learning it with a friend or eating something you really like (or really don’t like) while you’re learning it?

Did a native speaker correct your pronunciation and did you feel embarrassed? Did a native speaker compliment you and make you feel good about it?

These emotional turns are going to cause your memory to go into Jedi mode, which is why immersion in another country (or another area of the country or the city that you’re living in that you haven’t explored), which is very likely to create emotions of all sorts, is such a good idea, regardless of whether you’re a beginner (like I was with Burmese in Myanmar back in May), on the intermediate plateau (like where I sort of am with Greenlandic right now concerning my Greenland mission in October) or fluent (like with Danish in Greenland).

You can also use music to create emotions as well, which is why learning from a song (and a song text) is a fantastic idea as well, even though it may not assist you in conversation at the absolute beginner stage (although no doubt it will help you up your vocabulary count in the intermediate stage and beyond!)

In summary:

  • To develop an encyclopedic memory, know that it is possible. You already have a very good knowledge of at least something, no matter who you are.
  • Associate what you want to learn with “hooks”. They can be anything that evokes an emotion or a visual that may assist with it. Pay attention to what “connections” you can make between what you want to learn and what you already know. Your knowledge base is like a Lego Castle and the more you build on it the more opportunities you’ll have to link things.
  • Use hooks of all sorts.
  • If something’s not sticking, feel free to expose yourself to it multiple times and your brain may come up with a hook eventually. If not, you can stare at the what you want to learn (e.g. a word, a conjugation) and make something silly so that you remember it.
  • Associate pictures or other sentences or tunes with what sort of words you want to learn.
  • Most importantly, realize that ALL humans are capable of this, and you don’t need a “certain type of brain” in order to get an encyclopedic knowledge of things. Just keep working on the hooks and you’ll get asked what I get very frequently in no time. “How on earth to you manage to KEEP SO MUCH STUFF in your BRAIN?!!?”

 

Happy hooking!

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How Similar Are Finnish and Hungarian?

When I was working my way up the Finnish ladder, I got comments from lots of people saying that it was similar to Hungarian, and interestingly when learning Hungarian now, I don’t get the reverse as often (or ever, actually, come to think of it).

So here comes the pieces you have all been waiting for, answering definitively once and for all how similar these two languages really are.

suomi magyar

My Gut Feeling:

I usually tell people that there are grammatical similarities and a handful of words in common between them (not also to mention the similarities in pronunciation and ESPECIALLY syllable stress), but that’s about it.

The Finno-Ugric Languages, which include Finnish, Estonian, Hungarian and the Sami Languages, do include a number of similarities:

  • A lot of cases (in the double digits in all of them, their dirty secret is that most of these cases are literally straight-up prepositions, which for some reason remains a secret to everyone except for those who actually, y’know, study these languages!)
  • No genuine future tense (use auxiliary verbs instead, much like English uses “I will” or “I shall” as opposed to verb alterations undertaken in a language like French. Some languages, like Estonian, use the present to indicate the future with no changes).
  • No he/she distinction (true in all of the Finno-Ugric Languages).
  • No verb indicate “to have” (a lot of languages in the world are like this, in Finnish you use “there is upon me a book” and in Hungarian you would use something like “there is my book” to indicate “I have a book”)
  • The syllable stress is on the first syllable. Always. This actually makes spoken comprehension LOADS easier!

There may be others that I forgot about.

But there are still a handful of words that resemble each other, not also to mention grammatical concepts that exist in one and not the other.

To say “I don’t know” in Hungarian, you would say “nem tudom”. The Finnish equivalent would be “en tiedä”. You can tell how similar these two phrases are just by looking at them.

But if you are expecting an advantage in one of these two languages because you know the other one, keep this in mind:

Finnish and Hungarian have a lot of grammatical similarities, but few words in common.

However, one odd trait that both of them actually do share is influence from Germanic Languages that rubbed off on both (Swedish idioms and loan-words in Finnish, German expressions translated literally into Hungarian. One such example of the later is that you would wish someone a “beautiful thanks” in both German and in Hungarian).

Interestingly Estonian AND Northern Sami ALSO have this trait (Estonian from German, Danish and Swedish and Northern Sami from Norwegian / Swedish). Your neighbors really do rub off on you, suffice it to say.

What’s more, Finnish and Hungarian also share a sense of vowel harmony as well.

What is vowel harmony, you ask?

Well, in Finnish there is a rule that states that all words (excluding a handful of loanwords and proper names from other languages) may contain vowels from one of the two sets of vowels:

There are front vowels: ä ö y

There are back vowels: a o u

And there are ones that can go in any word: e i

Words in Finnish that contain front vowel words MAY NOT contain back vowels (unless it is a compound word with multiple pieces in it). Likewise, back vowel words may not contain front vowels in them. Also, if a word contains only e’s or i’s in terms of vowels, it is a front vowel word.

This means that suffixes in Finnish take two forms, usually (unless these suffixes only contain e’s and i’s in their vowel makeup): you put the front vowel version at the end of a front-vowel word, and a back-vowel version at the end of a back-vowel word. The last noun determines which suffix you add (this is important with hyper-long compound words).

To turn a verb (or any non-question word) into a question, you put –ko or –kö at the end. Olet – you are. Oletko? – are you? En – I am not (or, more accurately I … not, where … is a verb stem put after the word en) enkö? – am I not?

In Hungarian, vowel harmony functions in the same way, and suffixes (including case endings, like in Finnish) will change their forms depending on the vowel makeup of the noun.

This is really funny to see in my Hungarian-translated Facebook, because the translation will determine the vowel harmony status of your name (and the names of your friends) and apply suffixes accordingly.(The Finnish translation worded things, last I checked, so as to avoid declining the names of people or places. Hungarian also avoids this when possible).

In the case of Hungarian (no pun intended), the same rules appear but with more instances of words that appear to violate vowel harmony.

Like in Finnish, suffixes appear in two (or sometimes THREE) forms, depending on the vowel makeup of the word. Like in Finnish, Hungarian has front and back vowels. Like in Finnish, Hungarian only factors in the last element in regards to what variety of suffixes go on the word as a whole.

So, now here comes a big question: If I know Hungarian or Finnish, how much will it help with the other one?

Answer: many of the grammatical concepts will align very, very well. In learning how to put words together, you’ll have déjà vu significantly often. You may even encounter words in common here and there.

But don’t expect to understand a significant amount of the other language, and concerning mutual intelligibility? Forget it. Because Finnish and Hungarian are as closely related as English and Albanian. Sure, there might be some occasional things in common, and they are distantly-related members of the same language family, as well as having similar influences  from nations that spoke similar languages, but aside from that, expect only the smallest fraction of a head-start in regards to vocabulary, and a significant head-start in understanding the grammar (even though the suffixes in their makeup have no resemblance to each other).

Have you had an experience learning any Finno-Ugric Language? Let me know in the comments!

 

Is Studying from Grammar Tables Helpful?

Back when I was studying Classical Greek in college, I thought that I would just look at the tables for a long time and that I would somehow internalize them that way.

I was regularly struggling a lot in classical languages (although I did end up graduating with a degree in classics) and this was in part because I had no idea how to study.

Spaced Repetition, memory devices and, of course, the app zoo were completely unknown to me (and in case of the apps, not invented yet).

One degree, many struggles and a lot of shame, as well as many “I hope I’ve gained wisdom from this experience” ‘s later, I found myself learning Finnish. It is a language that… surprisingly isn’t as complicated as classical Greek in terms of its grammatical structure!

Granted, I understand very well that learning an ancient language (note that I do NOT say “dead”)  and learning a living language are two very different things. For one, I need active knowledge of Finnish in order to have a definitive mastery of it, I need to write it in and understand it when it is spoken by native speakers (also, for those unaware, Finnish is the slowest language I’ve ever encountered, especially in news reports. Keep in mind that it is still faster when spoken by native speakers than any language spoken by non-native speakers, however well [e.g. Creole Languages or English as an L2]).

None of that is required in an ancient language (although it may surprise some of you to know that a Modern Latin actually EXISTS and IS SPOKEN!)

So, now to answer the question you’ve come here for…how should grammar tables be used?

Within the past few years, there are a handful of languages that I’ve been using grammar tables for:

  • Icelandic
  • Cornish
  • Breton

And, interestingly, in Irish and Finnish I didn’t really use them that much.

However, I do use some of them in my classes when I teach languages

Allow me to explain:

When using a table, you should recite everything in it OUT LOUD and, if possible, use it with a simple sentence. In a language like Hebrew I would usually ask my students to say “I have a fish” and “I don’t have a fish” (Hebrew has no verb “to have” or indefinite articles, so what they actually say is “there-is to-me fish”, “there-is to-you fish”, and so on).

You can do this with verbs that conjugate (all Indo-European languages), prepositions with personal endings (like in Irish or Hebrew), adjectives that adjust themselves for gender (as in the case in Hebrew or Spanish)  or declensions (Slavic languages, Icelandic and Faroese, the Finno-Ugric Languages).

However, looking back to my journey in Breton, I remember stupidly reciting a lot of the tables over and over again and hoping it would stick. And it usually didn’t ,except for the most basic sentences (like “I am Jared”).

However, now I can have conversations in Breton without any major issues, so how did I get there?

For one, did the following, AFTER having recited the tables (but not memorized them):

 

  • Used them in small sentences of my own creation (e.g. I am Jewish. Are you American?)
  • Learned a bunch of sentences that I might need (e.g. I’ll have a crepe, please). I got these sentences primarily from my Colloquial Breton book, my Kauderwelsch Breton book, and Clozemaster (not also to mention too many other websites to list). To remember these sentences, I associated them with imaginary places, emotions or situations. (A sentence like “I have a boyfriend!” is very likely to conjure mental images of an emotion AND a situation regardless of who you are)
  • After having poked around sentences that use these constructions, I returned to the table to fill in my gaps, and repeated the process.

 

That’s one way to do it.

Another way I managed it with a language like Faroese (before I forgot almost all of it) was that I not only did what I did above, but I also used immersion, listening to Faroese music regularly during my commutes, walking around, cleaning, etc. In so doing, I unconsciously picked up patterns as to what prepositions used what case. I developed, like native speakers of these languages, a sense of what “felt right”.

Even if you’re a memory master, you may not pick up the true sense of how to equip yourself with your declensions / conjugations / grammar immediately. You may come to recognize it, but like with any new tool, you’ll have to fiddle with it a while, try out new things, look at people using it on the internet, and be willing to experiment and even mess up more than a few times.

Sentences are also very helpful, in programs like Anki or Clozemaster or the Tatoeba Sentence Database, or even reading them out loud from phrasebooks or UniLang courses (these may be helpful with a translation into a language you understand as well!). In so doing, you’ll be able to note general patterns between them, and after five to sixteen exposures to a common word, you’ll find it fixed into your long-term memory.

The same is also true of various declensions as well. Now, there comes the case with irregular declensions and irregular verbs, and so you want to return to the tables and the grammar guides after you’ve made some satisfactory progress with your language and you want to fill in more gaps.

In so doing, you’ll soon put everything in the tables in your long-term memory before you know it!

And in some language, you may actually get exposed to irregular verbs via immersion on a regular basis (Spanish and the Scandinavian Languages did this for me), and you may come to associate particular sentences or song lyrics with an irregular verb form that may be useful to you!

So, to answer the questions, are tables useful?

 

Yes, but don’t cram your way into knowing them. You have to use them in tandem with the way the language is used in real life (in any form) in order to truly let them become a part of your understanding of that language.

I didn’t look at the Breton verb conjugations or the Icelandic declensions once and then memorized them forever. I didn’t do that with any language. Instead, I put it together in my understanding, piece by piece, by using the language in a genuine manner, actively and passively.

Yes, chanting verb tables can help, I know it did for Spanish (which I still remember) and Latin (which I don’t), but above all it is you that has to assemble the puzzle of your dream language together with using every tool you have—the book itself isn’t going to cut it, although it will help.

Happy learning!

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The 5 Languages that Changed My Life the Most

Yes, I know, polyglots don’t play favorites. Or at least that’s what we say we should do. I’ve noticed with great consistency that polyglots get attached to certain sets of languages a lot more than the rest of the group.

For example: I have a greater affinity to Jewish, Nordic, Celtic and Pacific Languages than I do global languages like German, French or Spanish. I have friends that focus on Balkan languages, Central Asian languages, Official Languages of the UN, Germanic Languages, languages of East Asia, and too many other types to list.

Today I’ll write about the five languages (note that I do not say “language learning journeys”) that changed my life the most.

And if I were to write a post about “The five language learning JOURNEYS that changed my life the most”, that would result in something different. The reason? Because the processes you undertake during a journey is very different from the benefits you reap from it. These discuss the benefits.

 

  1. Krio

 

“Jared, I don’t want you to learn this language. It makes you sound like an idiot.”

That’s what someone said to me once about two years ago when I was discussing my parents’ journeys in Sierra Leone and the conversation turned to Krio and how to learn it.

Suffice it to say that I was not of that opinion in the slightest, aware of the fact that my parents needed interpreters at times when they were in up-country Sierra Leone.

Learning Krio truly enabled me to understand African-American culture in ways that I hadn’t before (this may surprise some of you that don’t know it, but the African-American culture in the US, the Afro-Caribbean Culture on the Islands [and places like Belize and Guyana], and the Krio culture of places like Sierra Leone and Liberia are actually linked to each other and have ties of solidarity and cultural mindsets).

Elements from Krio and its relatives from these three areas I mentioned entered American English not only in its informal registers but also its sentence structure. “Now that’s what I’m talking about!” is one such sentence that may have Krio influence, as a speaker of Krio would say  “na ya a deh tok!” And, of course, we haven’t even discussed jazz jive, which exhibits way too many elements from Krio as well as native African languages to list coherently

The proverbs and idioms are also extremely colorful (as they are in all languages in the world and Creole languages especially).

In listening to Salone Krio speakers on YouTube, they find themselves poised between many aspects of their identity that they describe in a heartfelt matter, including the Civil War in recent memory, the hope of the country moving forward, as well as the solidarity ties to their cultural cousins on the other side of the pond (and in the rest of Africa as well).

The people of Sierra Leone seem to carry an extraordinary fortitude that someone like me can’t possibly understand, and my parents also remarked on the collective cultural work ethic and willingness to hang on as something that continues to inspire them to this day!

Krio speakers in the past century or so have been emphatic in making their language a symbol of Sierra Leone as well as a language that wasn’t just seen as “broken” or “mislearned”. You can even access Google Search in Salone Krio as well! (google.sl and press “Krio”)

Also one of my favorite rappers, who lays down a lot of realities and pains of the developing world, Bone na Throat, is very much worth checking out! (He uses Krio and English, not also to mention his performances alongside guest stars from other parts of Africa).

 

  1. Modern Hebrew

 

I knew Ancient Hebrew as a child, and when I saw what happened to it as a result of one Eliezer ben-Yehuda and millions of determined people, I was stunned.

For one, my previous knowledge of English and Russian made it clear how much foreign influence was present in Modern Hebrew, right down to the verb structure.

But despite that, the charm of Hebrew that one can feel from reading the Hebrew Bible in the original is still kept very much intact. The verb system is not only kept in place but expanded upon to as to include words related to SMS and Facebook, among many other things.

(For those unaware: Semitic languages use a system in which a set of consonants form the basis for a verb stem. These letters, known as the root word or “shoresh” in Hebrew, will dance around in various forms that differ in terms of activity / passivity, as well as in verbs-turned-to-nouns. “l’kabel” is to accept, “kabbalah” is something accepted, which is not only the name for the Jewish mystical tradition [accepted from a divine source] but also a receipt you would get in an Israeli store).

Hebrew’s development found parallels in my own life story, in which my mannerisms and even my accent (not to mention my personality) changed as a result of hopping around the world. Jews hopped around the world as well, and Modern Hebrew, with its abundant influent from Slavic languages, English, French and many others, shows it, all while retaining its primeval charm.

 

  1. Greenlandic

 

A language with HUNDREDS of suffixes!  The hardest language I have attempted to date! And, then as well as now, my overall favorite language of them all!

Greenlandic, above all, was different. No other language I have studied (with the obvious exception of the closely-related Inuktitut) has worked in a similar manner.

It confounded me to no end. I had dreams of becoming fluent but no matter what, it seemed that understanding the radio or a lot of songs was always out of reach. And my writing abilities were in the trash (and sometimes they still are).

However, I decided that I was going to do SOMETHING. And the decision to do something , however small, with consistency—it edged me closer and closer to gaining a vocabulary that will probably serve me well during my trip to Greenland in October 2017.

What’s more, the culture I gained insight into actually inspired me to make my first video game, “Kaverini: Nuuk Adventures”. That’s not nothing!

I’d say more about it, but there’s only so much I can spoil for a product I haven’t released yet, right?

 

  1. Tok Pisin

 

Up until I studied Tok Pisin, the languages I had studied in my life had been tongues of the developed world. Tok Pisin changed all that, and in encountering it I felt that I had encountered a time capsule.

The world that was captured in the cultures of PNG felt stuck between the present and whatever our ancestors were before many forms of technology made (and continue to make) our genuinely human side closed off to us.

Tok Pisin taught me how to be a human again, how to think in a language that was minimalistic yet expressive, and also gave me access to a culture that knows all too well that we are poised on a precipice in which either our desire for profit or our humanity will win (the time is not too far off in which we cannot have both!)

It also showed me that, even if I never intend to visit “the country”, I can feel a great resonance with “the culture” from a distance, sometimes even stronger than for countries that I had actually visited once!

 

HONORABLE MENTIONS:

 

Irish

Ah yes, a language more commonly used by non-fluent speakers than by native speakers…or that’s how it seemed to me when I first encountered the way Irish is used on the internet.

Given how many non-natives were using it enthusiastically online and in speech, the many usages of the Irish language, from those who speak a handful of sentences to full-on TV shows and YouTube series, has captivated me. The Irish-Language sphere on the internet is one of enthusiasm and acceptance, one that many other language learning communities, endangered or not, should take note to emulate.

 

Trinidadian English Creole

 

My first language with no standardized writing system, it truly made me think about code switching more deeply than in any other language. Trinis will often shift between standard English and Trini Creole very quickly, and listening to informal radio programs with a substandard knowledge of the latter requires you to be on your toes.

What’s more, this was a language I chose in part because I live in Crown Heights (and I’m writing this article from there). I learned this language enough to have conversations in it, and suddenly my neighborhood came to life in a way I didn’t even think possible (although my knowledge of other Caribbean Creoles, such as Vincentian, Grenadian, or Jamaican, remain weak as of the time of writing).

 

Finnish

 

The language everyone tried to tell me was impossible. Finnish made me think about how distinct formal and informal language can be. The various “grammar games” that are played in Finnish’s more informal registers made it easy for me to switch from the colloquial variety to a formal one. A useful skill to have if you ever want to learn, let’s say, East Asian languages in great depth.

Finnish music can be heart-wrenching, but also some of the edgiest music I’ve ever heard, one that truly causes me to embrace my darkness and fuel it into my missions of peacemaking and bridge-building. The great pride that many Finnish speakers take in their culture and language is also something that profoundly affected me, and it made me realize that all cultures and languages have it—they just sometimes need more coaxing to get it out and fully expressed.

 

AND #1…

 

YIDDISH

 

I bet none of you is surprised at all right now, right?

Yiddish was the first language I became fluent in as an adult, and for the rest of my life it seems that I will be of the opinion that it is an excellent choice for the first language I definitively mastered. (That said, I’m still learning new things about it and at times, if I’m rusty on practice, I’ll slip up, but given that I do that in English too…I’m okay with that, I guess…)

Yiddish showed me that a language could be a community.

Yiddish showed me that a language could echo a culture in ways that reading from a guidebook or even holy texts just couldn’t.

Yiddish showed me that a language can serve for a depository of cultural memories, as “Yiddish-Taytsch” wandered off further East, picking up words along the way from Polish, Russian, Ukrainian, Hungarian, and many others. The people groups you encounter rub off on you (as an individual AND as a nation), and that became clear with the story of Yiddish.

What’s more, the enthusiasm of the Yiddishist community all throughout the world is, I have to say it, unmatched.

The songs and stories of the Old Country are coming back to life, even among non-Hasidic Jews.

Certainly there may be some light tension (or sometimes not-so-light tension) between the secular and religious Yiddish speakers, but hey, when it comes down to it, we’re all “Klal Yisroel” in a sense (even if you happen to be a gentile Yiddish speaker, I would say! The time wasn’t long ago in which even non-Jewish Yiddish speakers were honorary Jews, as well as non-Yiddish speaking Jews as an oddity)

Yiddish showed me what the true prize of fluency in a language is, and even when I wasn’t fluency, I was still getting plenty of prizes. Yiddish made me a better Jew and a better human being through its proverbs, songs and, above all, the community and friends that I’ve acquired through this fascinating tongue that will probably not only remain with me throughout my life, but  I hope to raise my children speaking it one day! (Of course they’ll have other languages, too!)

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What languages have changed your life and how? Let me know!

The Jigsaw Puzzle

Learning a language (or any other skill) is task that requires you to understand how pieces fit together.

Take a jigsaw puzzle, for example. You see the final product on the box cover (that is to say, what the completed puzzle will look like) and then choose to pick a puzzle based on which picture you like (I also know that there are three-dimensional puzzles as well so I won’t come to exclude those.)

You take it home, you open the box and all of the pieces come out.

That confusion is relatable in language learning.

I’ve experienced it many times. So much confusion in coming to grips with a new language (although obviously if it is closely related to one you already know, you already have a significant amount of the puzzle done for you).

I remember feeling similarly overwhelmed with a number of “frontier” languages that weren’t similar to those that I already knew. Hungarian felt like this (and I’m still studying it during my commutes), as did Greenlandic, Burmese, Finnish, Hebrew and Yiddish during the early stages. Even some languages that were closer to my native tongue—like Danish, Tok Pisin and Krio—also qualified.

In Hungarian, I was confused with how to use the cases (and I still haven’t mastered all of them despite the fact that they function very closely to the Finnish ones) as well as when to use “nem” and when to use “nincs” (the first is more like “not” with verbs and the second is more like “there isn’t”).

Burmese had me perplexed as it was a language in which a lot of sentences left out the pronoun. To say “we have it”, you would just say “is + present tense marker”. A lot of aspects that were not touched upon too readily in my previous language-learning projects came to the fore with Burmese (like classifier words or using different pronouns for yourself in various situations).

I could give more examples, but let’s delve into what this jigsaw puzzle means for you…

For one, especially in a two-dimensional puzzle, you want to separate the edge pieces first. In so doing, you will have the basis to fill in the rest of the puzzle.

The edge pieces in language learning are having mastered:

  • Pronouns (for some languages like Japanese with a lot of pronouns I would recommend focusing on the ones you are most likely to use or hear used given your environment)
  • Being able to conjugate verbs so that you can express the past, the present and the future in a significant capacity without struggling.
  • Being able to say things like “thank you”, “where are you from?” “do you speak (name of language)?” and basic question words, not also to mention speak about yourself in a small capacity.
  • Asking for directions
  • Being able to use adjectives and adverbs
  • Prepositions
  • A case system (if there is one. In the case [no pun intended] of the Finno-Ugric languages, the case system overlaps with prepositions).
  • Sentence structure (does the verb go first like in Irish? Or at the end like in Japanese and Turkish? Can I put sentences together with the same sentence structure found in my native language or in the other languages I know? If not, what’s different?
  • Articles and noun gender patterns (if any. Entire language families lack articles entirely, such as the Finno-Ugric Languages)
  • Conjunctions (although there are some languages like Rapa Nui that, according to wikitionary, “supplant the need for conjunctions”)

Your goal is to master all of these ten elements, and in so doing you will have assembled the edge of your dream puzzle. Some of these are going to be harder than others, depending on what your dream language is (and yes, sometimes entire items on that list will be lacking altogether. Bislama and Spanish have no case systems, but Finnish has no articles or noun-gender patterns).

Now what exactly do you do when you’re done with the puzzle?

You fill in the rest, but unlike the jigsaw puzzle in real life, the language-learning process never ends. Even for your native language, you’ll always be learning new words and new expressions. I’ve been speaking Yiddish for nearly a decade now, and nearly seven-eight years as a fluent speaker, and I’m always discovering new expressions, new words and new surprises. The same is even true with English, even if I count American English by itself! (And after having studied Trinidadian Creole and Krio, I’ve realized the true extent to which African-American culture has developed this unique language and made it distinct, expressive and admired the world over! And my journeys with Irish and Yiddish and German have also made me realize how many other immigrant groups made their mark on it as well! )

The portions you fill in next will be those that you deem the most important to apply in your life. You’ll notice exactly what you’re missing from your time spent with the language, whether it be with native speakers or using the language online or with your books (whether they are books for learners or books for native-speakers).

And perhaps the most important thing about the jigsaw puzzle is that it will involve rearranging the pieces and finding out how they fit together. You’ll look at the huge collection of pieces and think, “well this one goes over there, and I think it fits with that one? No? Well maybe I’ll need to try something else…all of these eight pieces go together! Great job!”

You may indeed be able to memorize words very quickly, but understanding how they fit together is another thing that may take time. If I were learning a language like Slovak (which I’m sort of letting sleep at the moment), given its similarities to Polish (for which I have already assembled the edge of the puzzle), I wouldn’t need to really “assemble” the edge again. But for Palauan I had absolutely no prior advantages, and I had to assemble the whole thing from scratch. Fun times.

Here’s hoping to you finding all of the edge pieces and putting them together! Happy puzzling!

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Yah, I know, it ain’t no jigsaw puzzle, but it’s all I got! 

How to Choose Your Next Language: The Only Post You’ll Ever Need

The advice that I put in this article is literally found nowhere else and if you’ve come here for a list of eight languages you should consider studying, you’re not going to get that.

Too many people have asked exactly what sort of process I use in order to pick what language goes “next on my list” or which ones I’d like to learn manageably well (Breton) vs. professionally fluent (Danish).

Too many people embark on a language-learning journey and just say “I want to be fluent. Period.” But it requires more thought than this. (Learning English for communicating with customers vs. learning English for law school are going to be too very different things. And besides, not all of a language’s “realms” have been fully explored by native speakers. Far from it, in fact!)

The fluency that people like this probably have in mind is when the various “realms” of their target language pertaining to their life are filled up.

If you think I need to talk about music theory in Tok Pisin or Finnish, think again. While I do know that vocabulary in my native language, I barely use it. I could manage it if I want (although keep in mind, some languages don’t have all of these “realms” filled in, Estonian in particular prides itself in being the smallest language in the world with a very comprehensive scientific vocabulary!).

Anyhow, language choice.

 

Reasons that I would disregard when choosing a language

Too many people pick languages based on “how many native speakers it has”.

This is not a helpful metric, for a number of reasons.

For one, the one thing you should NEVER do with your life is entrust the choices in your life to other people. E-ver!

Obviously earlier in your life it may have been necessary but if you’re independent in any capacity I highly recommend anything that even contains a whiff of letting other people choose your destiny.

There are those that choose languages like Spanish and Chinese because they have a resonance with their friends from places where they are spoken. They have become attached to the music and to the literatures and the many cultural mentalities contained in such a place.

There are others that choose these languages because of cultural misunderstandings—perhaps they think that a fear of Mexico or China is just too much to bear in the United States and learning these languages will help serve as a protection against such a fear.

There are others still that encounter speakers of these languages with great regularity.

But choosing a language based on an abstract concept of “lots of people speak it” and very little else is pointless and ill-defined.

People who learn Spanish or French for reasons like this and little else barely get past the intermediate stage, don’t have the cultural resonance required for genuine fluency, and probably continue their learning for ill-defined “monetary benefits” or “understanding people” when just sticking to learning material aimed at foreigners year after year, being surpassed in progress by people who learned the language out of a genuine love for the culture and way of thinking.

(You CANNOT become fluent with just language-learning materials! You NEED material intended for native or fluent speakers!)

And never, ever, EVER ask ANYONE “what language should I learn next?”

Ask YOURSELF that question instead!

I’m sorry if my word choice is too harsh, but I’ve decided that in the coming year, I’m going to be a lot more uncensored in my opinions. It’s good for clickbait, after all!

Also peer pressure is not a good reason in the SLIGHTEST. Not for language, not for anything. “No French? No Turkish? No Chinese?” Got this year after year after year.

And the only thing that really got me interested in the French language to begin with wasn’t even France, it was West Africa and the Pacific Islands!

You are the boss of your life. Disregard the rest of people who want to pressure you or make you feel bad. Make decisions that you really want from the heart, and you’ll be a legend. Let other people make your choices, and you’ll end up burned out and full of regret. End of story.

Okay Jared, so HOW should I choose my language instead?

Step 1: Look at one of the following things:

 

  • A map of the world
  • The language index at omniglot.com
  • The register of flag emojis in your smartphone keyboard (if you have one)
  • A very vast collection of language-learning books
  • The travel section in a bookstore or library.

 

Feel free to use a combination of these elements.

What places or languages in that list stick out to you?

Which ones might you have been dreaming of seeing or knowing more about since you were a kid?

When the language is written on a page, does it feel like something you ABSOLUTELY must have in your life?

When you read about the language or the country where the language is spoken or visit online forums about the language or communities associated with it, do you feel a sense of wishing that you were a part of that? Do you feel a sense of wishing that you would like to communicate with these people and understand this culture?

When you listen to music sung in this language, how does it make you feel? Would you like more music of that sort in your life or not?

Also, another metric to consider using is to look at your own heritage.

What language(s) did your ancestors speak? Do you have relatives that speak it or otherwise are (or were) capable of understanding it? You’ll have the motivation to learn such languages because, whether you like it or not, they are a part of who you are.

I got very much attached to languages like Yiddish and Swedish precisely for this reason, and it seems that it will be that way with Hungarian, too.

It’s Okay to Learn a Language for Silly Reasons, Too

Sometimes a language jumps out at you and you don’t know why. Maybe it sounds cool. Maybe you like the writing system. Maybe you read something funny about the way the language is spoken (“Danish sounds like seal talk”) or written (“Greenlandic looks like a kid banging on a typewriter”)

You’re probably wondering, “Jared, did you just write that it wasn’t a good idea to choose a language based on number of speakers, but it is okay to choose a language because it ‘sounds cools’?”

Precisely.

Here’s the reason why.

When choosing to invest in a hobby or buying a product, it is primarily an emotional decision. Logical decisions can be used some of the time, but if you want a lasting attachment to your investment, choose something based on your emotions rather than what other people think might be good for you.

My choice to have learned Greenlandic was not a logical decision in the slightest. My choice to have taken the book out from the library, photographed the language section in the back, and put it on Memrise was all purely from an emotional standpoint.

Where exactly did it land me?

Well, I became attached to Greenlandic because I liked how it looked on paper and how it sounded. I also had a fascination with Greenland since my childhood.

Several years later, I’m going to Greenland to meet with some of the country’s biggest names in the arts and I’m developing a video game set in Nuuk. I was also interviewed by Greenlandic National Radio in December 2016!

This was all because I had an emotional attachment to my project.

And you need a project that you, similarly, are emotionally attached to.

The choice of language has to be YOURS.

It has to be one that you long for deeply, that you can think about with a smile and talk about with friends and show you true devotion to the culture and literature and idioms and everything that language is.

It can be any language in the world! It doesn’t matter if it is a global language or a small national language or a minority language or an endangered language or even an ancient tongue that is used only in writing.

You have to choose it because you genuinely love it!

Love conquers all, and this is doubly true for language learning.

many languages

This building from Antwerp has been featured in WAY too many foreign-language learning posts. I think I may be the one that started the trend!